LVRN has released “Home For The Holidays” album and it includes a track titled “12 Days of Bhristmas,” featuring our boy Westside Boogie and OMB Bloodbath.
The album also features Summer Walker, 6LACK, Shelley who was formerly known as DRAM, Kitty Ca$h, Eli Derby and Young Rog. The 9-tracked project is executive produced by Lisa McCall, with production helmed by Rogét Chahayed and Slim Wav.
Yesterday, the video of “12 Days of Bhristmas” was also released. Check out the visuals below:
Cole Bennett, who has recently shot “Godzilla,” featuring Juice WRLD and “GNAT” with Eminem, has expressed his desire to one day work with Eminem on a full-length movie.
Cole posted a picture of Eminem and himself from “GNAT” video’s behind the scenes on his Instagram story, saying: “Working with Eminem is surreal every time. I hope to one day work on a full length feature film with him once I step into the narrative world.”
Lil Pump has just dissed Eminem on his Instagram story.
“Aye, f*%* Eminem! You lame as hell. Ain’t nobody listens to your old a*s. You lame as f***, b****.” says Little Pimp in the video.
You can watch that disgraceful video below:
We don’t know yet what was the motive of Lil Pump gong at Eminem like that. All we know Eminem has not dissed him on Music To Be Murdered By: Side B. Might be political views? Eminem hates Donald Trump, Pump supports him. Or, is Lil Pump clout-chasing? cause somebody remind him about monthly Spotify listeners:
LIL PUMP: 9.5 million monthly listeners. EMINEM: 38.7 million monthly listeners.
Eminem did diss Lil Pump on “The Ringer” off Kamikaze back in 2018 but Pump said he deserved that. You can check all the info in the video above.
“Book Of Rhymes” is No. 5 song on Eminem’s latest release, the deluxe edition of Music To Be Murdered By: Side B, which is accompanied by scratches from legendary beat-maker DJ Premier, produced by Luis Resto, Illa Da Producer and Eminem.
The song also plays off the title of the Alchemist produced ‘Book of Rhymes’ song by Nas from God’s Son. There is also a likely sample of the Nas song in the end in the DJ Premier mixing part, towards the ending of the song.
Preemo doesn’t look to get enough off of the track as he added more scratches during an Instagram session. “You killed it.” Eminem’s manager Paul Rosenberg commented on the post.
Before Young Buck and 50 Cent started their beef, they were chasing the same dream while being on G-Unit group together.
In a recent interview with VLAD TV, Young Buck remembers one of their all time classic collaborations that had a life-changing influence on him.
“That record ‘Blood Hound’ changed my life. 50 Cent gave me that opportunity to become a part of G-Unit based off of that one record.” – says Buck
According to him, ‘Blood Hound’ was originally his song, but he sold it to Fifty, who kept one of Buck’s verses on the song and added his own. Soon after, he was offered a place in G-Unit group.
“Out of nowhere I got this call bro, from Sha Money, through CeeLo. CeeLo had called me and was like, ‘Yo bro, Sha Money just called and asked about some record you was playing.’ And I was like, ‘The record I was playing on the bus?’ He was like, ‘Yeah, bro. 50 wants to buy that record and put it on his album. I never in my life sold a record. I did not know what the f**k to charge him or ask for in regard to that. At that time, I was like, ‘Hell yeah bro, let’s do it.’ CeeLo kind of played manager in a sense of setting that record up with them and that record ended up being ‘Blood Hound’ from 50 Cent’s Get Rich Or Die Tryin’.” Buck added.
During an interview with HipHopDX’s Senior Writer Kyle Eustice, legendary hip-hop group’s Cypress Hill’s B-Real was talking about the Boo-Yaa T.R.I.B.E. collaboration, titled “911” featuring himself and Eminem when he listed top three greatest rappers of all time.
“Well, my top three rapper list would be, you know, it always KRS-1 at the top, Eminem and then JAY Z as rappers go. Public Enemy’s Chuck D is in there for sure, but my Top three is those guys right there.” said B-Real
Xzibit was asked the same question but took a more comedic approach with his answer, “Dylan, Dylan, Dylan, Dylan, Dylan,” – replied X to the Z, referencing the famous Chappelle’s Show skit.
For more details about the interview, visit HipHopDX here.
On 9th day of HotNewHipHop Presents: 12 Days Of Christmas, Royce Da 5’9″ talks on his discography, producing for Eminem, learning production from Dr Premier and Denaun Porter, his first Grammy nomination, Lil Wayne’s legacy and much more.
Interviewer: I am loving your production. I remember you showcased a few beats on your Instagram hinting at a little bit of a Bad Meets Evil vibe, I was pretty into that.
Royce 5’9″ : I sent Marshall some stuff here. I always send him stuff. I mean, so my first placement I got was on his album. So that was a dope accomplishment. And I love when I can send him something and he gets excited, man, it makes me excited. It makes me want to work. Sometimes I need that, you know?
Interviewer: Oh, definitely. And it showcases some versatility too. Like the sounds that you were kind of working with on Music To Be Murdered By were pretty different than the ones on Allegory. So it showed that you’re able to adapt to other artists. I mean, obviously, you’re familiar with working with Eminem but did it open a new dynamic? Was it new territory?
Royce 5’9″ : So it is always a new dynamic, because you never know what he is gonna be on. It all depends on what headspace he is in, you know? You can do so many things and like, whatever he chooses to do, he is going to be great at it. He is going to strive to put his best foot forward. The competition level of just what you have to put into it in order to be able to coexist from a competitive perspective is distressing. I mean, that is pretty much what my experience is like whenever I am working with him. I am a new producer, so having to– producing his first single is stressful, because, like, it is on the same album as a Dr. Dre beat.
So it is just a level of stress that is fun. And I am up for that challenge. But it is definitely on a different mind frame. And then like, with those beasts that I gave him for that album, that was my first time working with somebody where when I come around, I have to find out where I fit, and occupy that space, and not go past that. You know? Because that’s his ship. I am just here to help. So I am just here to do my part. Actually, I did not even get summoned here to help. I am just here as a friend. And I am playing him stuff, and he is liking it. So like, now I got to just adapt to that.
For the full interview, visit HotNewHipHop here and also make sure to support Royce’s latest album, “The Allegory.”
Eminem’s new album, the deluxe edition of Music To Be Murdered By: Side B, includes a song “Black Magic,” featuring Skylar Grey, produced by Eminem, Skylar Grey and Jayson DeZuzio.
Yesterday, Skylar went on Genius to annotate Eminem’s lyrics. Skylar annotated last lines where Eminem raps:
“I must be under her spell It’s like lookin’ right into a gun barrel But none of these hoes can f**k with my girl She got that black magic…”
On which, Skylar said: “Yeah, he’s talkin about me 😜,” meaning the whole song is about her. But of course, she’s joking. You can check the annotation below:
Few days ago, Eminem released the deluxe edition of Music To Be Murdered By: Side B and it includes a song “Zeus,” featuring White Gold, where Eminem name-drops many artists, including Snoop Dogg:
As far as squashin’ beef, I’m used to people knockin’ me But, just not in my camp And diplomatic as I’m tryna be Last thing I need is Snoop doggin’ me Man, Dogg, you was like a (Yeah) damn god to me Nah, not really (Haha) I had “dog” backwards
Snoop Dogg has not yet responded but it seems old school rapper and Snoop’s cousin, Daz Dillinger is very excited of what’s coming as he made a post on Instagram with the caption: “Eminem dissed Snoop Dogg. Wow. What’s next from two icons of rap?!”
During the interview with HipHopDX, Ja Rule said that 50 Cent does not want a Verzuz Battle because he does not want the smoke.
“That ain’t going to happen. Everybody do not want this smoke. I got heat. Let me tell you something, when I do my shows, I can rock. I am telling you, it is like an hour of straight hit records. No filler. All crab meat, n***a. All meat in that motherfu**in’ crab cake.”
“I love Verzuz, I love what it is, I love to see artists getting in there and doing the s**t. But if I did do a Verzuz, I would want my Verzuz to be fun. That is what Verzuz is supposed to be about, the celebration of music and the art, and the artistry. So I would want my Verzuz to be fun and filled with love in the room and s**t, and that sort of thing.”
“I am too old to be in Verzuz beef with my team of n***as. Come on. I am forty-four, dog. Just get a boxing ring and we get in there, and we do that. All this other funny nutty s**t, we ain’t doing that. We keep it regular. We keep it simple, man.”
Rapper Termanlogy, who has previously worked with Royce Da 5’9″ and Kxng Crooked, has his thoughts about who should be crowned as the lyricist of the year.
“Everyone talking about who had verse of the year… In my opinion nobody had a better verse than Eminem‘s third verse on “Godzilla,” said Termanlogy on Twitter. Check his tweet below:
Everyone talking about who had verse of the year… In my opinion nobody had a better verse than @Eminem ‘s 3rd Verse on “Godzilla”.
In Pitchfork’s episode of Critical Breakthroughs, Busta Rhymes breaks down some of his biggest songs, including “Calm Down,” featuring Eminem.
“If you want a clear display of what the fundamentals of hip-hop is and an art of emceeing, “Calm Down” is the case study. I sent the record to Eminem with 16 bar verse. He sent it back with like 40 bar verse. I’m like ‘man, what the f**k is going on. You are not gonna do this to me on my song.’ I sent back my verse with 45 bars. He sends back 56 bars. I sent mines back 62 bars. He sends back 66 bars. I’m like, look bro, who we making this record for at this point? are we making this record for consumers or we are just battling each other now?”
“But that’s the beauty and the competitive nature and spirit we both have cause we care that much. We love it that much. No one wants to be a weak link. It’s no longer a business at that point. It’s just that fiery passion that still burns in the souls of both of us as true incredible Swordsmen of the sport and we love the opportunity to display the skill set at the most highest level of just raw emceeing. That was so much fun.” – says Busta Rhymes