Eminem VS Busta Rhymes – The Drink Champs Edition

In one of the recent episodes of Drink Champs, The D.O.C. sits down with N.O.R.E. and DJ EFN to discuss his monumental impact on hip-hop. From his early days with N.W.A. and discovering Snoop Dogg to surviving a life-altering accident, The D.O.C. shares his incredible journey in the music industry. He also dives into his close relationship with Dr. Dre, the making of his upcoming documentary, and his dedication to the craft of writing. This is an interview you don’t want to miss, as The D.O.C. offers a rare glimpse into the mind of a true hip-hop legend. At one point of the interview, The D.O.C. played a traditional Quicktime With Slime game, where the hosts ask the guest to choose between two artists or subjects and if he/she can’t answer, then she/he drinks a shot.

When N.O.R.E. asked The D.O.C. to choose between Eminem and Busta Rhyme, here is what he replied: “Both of these guys are my guys.” He did not answer the question…I went a head and compiled every video where the hosts asks their guests Eminem VS Busta Rhymes. You can check it out below.

WIZ KHALIFA: Busta Rhymes for sure. Lyricism is up there but Busta be like ‘I’ll kill that n-gga!’ Busta inspired me a lot, man. You might not see it in my style but just being animated, being more goofy and more silly, just being myself. He’s great on stage. I’ve always loved fast rappers. That’s always been one of my favorite things growing up.

AKON: It depends. These are two different lanes. You can’t compare these two. I gotta go with both.

T.I.: I’mma go Busta Rhymes. Not because I don’t have enormous respect and admiration for Em but but Bus has always been one of the brothers to me. Em to me though, he don’t have to f–k with nobody but he still does so I gotta show admiration to Em and salute him for that.

For the rest, watch the video collection below:

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Daylyt blames Eminem for mumble rap rise

About 3 months ago, during one of the episodes of Last Second Sea, one of the best battle rappers Daylyt gave one of the weirdest compliment to Eminem I’ve ever heard.

While reacting to one of the Loaded Lux’s bars during the battle against Hollow Da Don, Daylyt said: “This is better than all of y’all careers, everyone. Everybody that has battled in the past XYZ amount of years why y’all try to do this?”

He continued: “I remember I was talking to somebody about when Eminem first popped up in rap. And Eminem is the reason mumble rap exists. Eminem rapped that a level of so high that everybody just gave up. It was like ‘you know what? we will never get there. Let’s just go backwards. And that’s what happens to battle rap. This is the highest level, why n-ggas don’t try to be better than this. N-ggas just go like ‘you know what? I’mma just go that way. This is crazy man.”

Daylyt has established himself as an innovative and key figure in both the music and creative industries over the years. He applies his unique style and personality to everything he does and in the process leaves audiences in astonishment, always wanting to know what he’ll do next and how he’ll do it.

Channeling his energy towards art has been massively important for Daylyt. After growing up in a tough area of Los Angeles he felt it was important to surround himself with a loyal team of people who all share the fundamental values of commitment and professionalism in order to achieve a common goal. This creative and professional outlook has led to an impressive photography career, with his remarkable work encompassing a new era we are entering of freedom, empowerment, sexuality and most importantly, artistic expression, using professional, prominent fashion looks…Check out the interview below:

Wallie the Sensei describes witnessing Eminem, Dr. Dre & Snoop Dogg in recent studio session

Wallie the Sensei emerged as the new face of Compton hip-hop with his 2020 single “Scandalous,” where he offsets grim gangsta narratives with silky-smooth production and an elastic, irresistibly melodic flow. He has recently sat down with Bootleg Kev where he described meeting Eminem and Snoop Dogg in Dr. Dre’s house and witnessing the three hip-hop titans recording couple of tracks together.

I just f–king met Eminem, Dr. Dre and Snoop. I went to Dre house for a day and I got to sit in the session and watch them work. Bro, that was the dopest s–t I’ve ever seen. When I met Em, he was like ‘Marshall’, I’m like, bro, I know who you are. You are one of the best rappers ever.” said Wallie the Sensei.

Then he continued: “Now I understand why they call Dre Dr. Dre. The s–t that he do in the studio he really doctor them songs. He might be the coldest to ever do it. How did I get the invite? One of my homies is related to Dre and since I got s–t buzzing, he was like ‘I gotta get you over there’. Dre’s house is co comfortable I fell asleep for hours.

That s–t was cold. They were working on the last couple songs of and album, I don’t know if it was for Snoop album? But Dre was really particular with these bars and s–t. When he got his star, Snoop gave a speech and said Dre still makes him do very line thousand motherf–king time, he was not cappnig. All of them are legends, Snoop, Em, Dre. I’m so grateful to be on that session and hopefully one day I can be like them. Me being there led me to meet dopest producer in the f–king world, Dem Jointz. Bro he cold. Ain’t nothing that dude can’t do.” Wallie the Sensei added. You can watch the interview below:

GloRilla lists her Mount Rushmore of rappers

Memphis, Tennessee rapper GloRilla reveals her Mount Rushmore of emcees in the latest episode of the Club Shay Shay podcast with Shannon Sharpe. On Wednesday (April 3, 2024), the Club Shay Shay podcast aired its new episode on their official YouTube channel featuring GloRilla. During the conversation, a member of 2023 XXL Freshman Class discussed her latest hit song “Yeah Glo!” and her journey from Memphis to the music industry limelight. She opened up about her new album, navigating the balance between confidence and self-consciousness, and the influence of Yo Gotti’s mentorship on her career trajectory after signing to his Memphis based label, CMG.

GloRilla also reflected on how haters fuel her determination and reveals her strategy for handling criticism with the support of friends and family. From Michael Jackson to Katt Williams, GloRilla dives into the commercial expectations of the entertainment industry while sharing anecdotes about meeting LeBron James and her admiration for Kobe Bryant. She candidly discussed her love for the Pittsburgh Steelers and why Shannon was once an opp of hers, the ideal first date, and her unique family dynamics, including her supposed cousins Lil Uzi Vert, Cardi B, and Tiger Woods. GloRilla’s upbringing with 10 siblings was much different than most, and she dived into her mother’s extremely religious background and why she was never allowed to have friends over as a child.

From her Top 5 rappers of all time to who she wants to collaborate most with in the music industry, GloRilla shares all of her feelings for the music industry. From her failed experiment as a weed dealer to working numerous odd jobs to becoming one of the hottest names in the rap game, GloRilla’s journey is filled with humor, heart, and a raw authenticity that shines through in every story she shares on this episode of Club Shay Shay.

At one point of the interview, she revealed her rap Mount Rushmore: “I’m only 24 so I can’t say rappers that were before me because I don’t know their music. So, Imma say Lil Wayne. Lil Wayne is one of the best rappers in the whole world. Imma say Lil Wayne, Drake, Eminem and Jay-Z.” said GloRilla. Watch the new interview below:

Joyner Lucas talks how Atlantic Records didn’t care about him shooting a video with Eminem

Joyner Lucas and Dhruv Joshi have recently sat down with Math Hoffa and the crew on My Expert Opinion podcast where the two talked about many topics, including Atlantic Records not backing them up to shoot the video of “Lucky You” with Eminem in Detroit.

“I tried to get the first class flight to shoot the video of Lucky You with Eminem in Detroit. They told me no. Label told me no. [That’s a single. That’s top 3 record on Billboard. He about to shoot the video with Em] Nothing they did. I built the relationship with Royce by myself. Shout out to my brother Royce. I built the relationship directly with Royce and then we went through Marshall and I built my own relationship with him in which we did the record and I had to go to Detroit to shoot the video. I had asked Atlantic if they could pay for the first class cause again, I’m not making money at that time. I took $100,000 in advance from my deal in 2016. I shoot that video in 2018. [So that $100k is gone bro. It’s two years].” said Joyner Lucas.

Then he continued: “First thing I did with $100k, I retired my mom. I gave her half. We got pay cut and it ended up like $60k and $30k I gave to my mom to quit a job. Apart from that, I asked Atlantic if they could pay for the first class flight and they told me no. Not a private jet or something. Just a first class flight to Detroit. How much is that? $800? $700? Them n-ggas would not pay for my first class flight so I said ‘Dhruv, we gotta get the f–k off this label bro.’ They did not give a f–k I was doing a video with Em.”

The official video of “Lucky You,” directed by James Larese, was released on September 13, 2018. In the video, it follows Eminem and Lucas in combat vests and pants strolling throughout the ruins of a city. It includes wrecked cars and abandoned buildings. Throughout the video, multiple hooded men with black sweatshirts appear to be “copying” whatever the rappers are doing. This is supposed to be a shot at the new generation of rappers copying what the bigger artists are doing. One scene includes them performing random dances, which the hooded men copied. In the middle of Eminem’s verse, a gunshot from the original track goes off, sending the hooded men into the sky. The video ends with the two rappers walking away from the swarm.

“Lucky You” is one of the most successful singles for Joyner Lucas as it debut at No. 6 on US Billboard Hot 100 and entered into the Top 10 charts in 20 different countries. The song went triple platinum in the United States and platinum in the United Kingdom, Canada and Australia. The song was nominated at the 2019 Grammy Awards in the Best Rap Song category.

Dr. Dre talks golden era of old school music & uncovers the stories behind the beats that shaped generations

In the premiere episode of “Behind the Patrol,” Lindsey Renee sits down for an exclusive conversation with the legendary music producer and visionary, Dr. Dre. The two embark on a journey through the golden era of old school music, reminiscing about timeless classics and uncovering the stories behind the beats that shaped generations. From the birth of hip-hop to the evolution of West Coast sound, this episode is a must-listen for music aficionados and enthusiasts alike. What makes this episode truly special is Dr. Dre’s rare appearance in a sit-down interview. With a career spanning almost 40 years, Dr. Dre is notorious for his elusive nature, making this conversation a once-in-a-lifetime opportunity for fans. Yet, he finds himself captivated by Lindsey’s profound knowledge and passion for music, showcasing a side of him rarely seen before.

Dr. Dre about music evolving through the years.
“Super Fly” by Curtis Mayfield is my favorite album of all time. I’ve been listened to his songs my entire life. But I have different outlook on why the artists from 60s and 70s have changed. I think the technology enabled artist to be a lot more creative because when 70s came in that’s when you started having multi-tracks. Marvin Gaye was able to do all of his own backgrounds. Imagine his any album in 70s without him doing his own backgrounds and there being background singers doing it, it would not be the same. So many multi-tracks came in 70s that’s when the real creativity in music started happening. In 80s it got a lot more pop. Michael Jackson and Prince. It got more pop but still fantastic music. But, in my opinion, the 70s is when it really made that switch and turn to be in really creativity. That’s why I always go to 70s music, especially soul music to get that inspiration.

Dr. Dre about his favorite records and discovering new talents 
Everybody ask me what is your favorite record. I always say that the next one. All the music that I recorded in my career, I started recording in 1985, I feel like, maybe 20-30% of the music I record has come out. My music is not for everybody. I just love recording. It’s for my friends, family and really just for me. I like discovering new talents. That’s one of the reasons why we sitting here right now. Cause I saw you on Instagram and I was like how this young woman have this library of music in her head. I was like ‘I wanna meet her and have conversation.’ I’m pushing 40 years of my career right now and there’s just few artists that I’ve worked with were established. Those being 2Pac, Mary J. Blige and Busta Rhymes. Those are the only artists that I worked with in my entire career that were already established. I like working with new up and coming talent.

Dr. Dre is currently working on Snoop Dogg’s “The Missionary” album. As Snoop revealed couple of weeks ago, Dre will start mixing the record in the middle of April. Dre also have few tracks on new Eminem album, which is also coming out this year. Dre is an executive producer of the album…You can watch the full new interview below:

Grandmaster Caz shares his thoughts on Melle Mel’s Eminem diss

Grandmaster Caz has recently sat down with Sean Bigga on The Bigga Picture podcast where he shared his opinion on the recent controversy sparked by Melle Mel’s diss towards Eminem: “He did not consult with me as far as Eminem thing. I didn’t really ask him too much. He did not really never take it that serious. He was like ‘I bust Eminem’s a-s’ and I’m like ‘okay, you supposed to believe that.’ But as far as him actually doing the answer, I did not know he was going to respond to it. First of all, Em was responding to him. Mel was like ‘F–k, chill what, n-gga? That’s my opinion.’ And everybody else out here giving their opinions, saying whatever they wanna say, how the f–k you gonna tell Melle Mel he can’t sway what he wanna say? I backed him up on that.” said Grandmaster Caz.

Then he continued: “Now as far as response [laughs], I wish you would holla at me. I respect Melle Mel to the fullest. Lyrically, he’s the only person that I ever thought I had to be better than. Everybody else, I thought I was better than them. Like I said, I didn’t get the opportunity to see what he was going to do. It just came out. Even if I heard it, I could not say ‘nah, that’s whack’ but yeah, I probably would have. I would have to say that cause that’s my dude. I have no doubt that if he took his time and then come up with some s–t, n-ggas be like ‘Oh s–t!’ But he just did something real quick and put it out there and it was not flattering to him. You don’t respond to Eminem like that. Especially if you saying that you are going to bust his a-s.”

“If that was me, it would have been different. I’m not saying I’d bust Eminem’s a-s but I would went as hard as I could possibly go to get that n-gga. And then if he got me after that, yo, you got it! But I already respect Eminem as a lyricist. I wouldn’t even question him being nice or whether I’m better than him or not. There are a lot of n-ggas that’s better than me. You better be better than me motherf–ker! I drew you a blueprint. How the f–k you are not better than me, you’ve been hearing me ever since you started this s–t. You’ve been hearing everybody that I influenced ever since this s–t started. I’m about to be 64 years old and if I get on this mic and bust your a-s, you need your a-s whooped!”

“I think the apology was for the weak s–t that he did. Not for going at him. I think he was not apologizing for his opinion on Eminem. I think his opinion stays the same. He really believes that Em is touted the way he is because he’s a white rapper and that makes him even more accomplished at a black thing which hip-hop proposed to be. I’ve always accepted Em as a dope a-s f–king lyricist. His flows… If you can do something that I can’t do, n-gga, I applaud you.”

“MC Serch could not do what Eminem did. He’s dope but he just fits into the fabric. Em looked too white. They called him a w-gger because he was doing black things but he looked like a white person. Serch got his jewelry on. He got haircut like black people and s–t like that and white people didn’t want him. This n-gga right here [Eminem] is quintessential white hope for rap. All he gotta do is be good. He just excelled and was just more than good. He paid his dues in hip-hop. He is not industry plant. This n-gga comes from the street. He comes from Detroit. He comes from the circle of n-ggas who did this street s–t, mixtapes, all that s–t, he paid his dues.” Grandmaster Caz added. Watch the interview below:

Jesse Collins reveals few details about Eminem’s involvement in “Rhythm + Flow” season 2

Jesse Collins, the genius behind some of the biggest shows in hip-hop history, shares his groundbreaking journey with Sway In The Morning. From crafting unforgettable moments at the Super Bowl with Usher to celebrating 50 years of hip-hop and beyond, Jesse reveals the vision and hard work that goes into producing legendary events. He’s the man who erased color lines and elevated the game to new heights. At one point of the interview, Jesse Collins talked about “Rhythm + Flow” and Eminem‘s involvement in it.

“After season 1 we were going into season 2 and I remember we were in production for a week when Covid started and it was the beginning of Covid so it was like ‘oh, we are going home for two weeks.’ And then it went another two weeks and another two weeks and it was like ‘okay, we are done.’ And they shut it down for years and then it popped in France and then we just brought it back. It comes out in November.” said Jesse Collins.

Then he continued: “We had your guy. The rapper that you may have had something do do with. EMINEM! When he did the show, this incredible episode, and he’s talking about being in LA for the battle that he lost. And he was saying that he was getting evicted from an apartment and he really needed that money. So he went out and did that battle. And lost to someone I can’t remember the name. Somebody that had a lot of local affiliations. So, it didn’t matter how he did, he was going to win. So, Em lost and was not going to get that money. F–ked this whole thing and gave that tape. And that mixtape got through and got to Dre and whole thing and the rest is history.

During the conversations, Sway interrupted and said that rapper that defeated was Juice but Collins was obviously talking about Otherwize. Eminem talked about the battle on his Genius Annotation: “We had pressed up The Slim Shady EP and it was doing pretty well in Detroit. At some point, Wendy Day called me and said “I want you to be on the battle team. I got you a ticket to the Rap Olympics in LA.” said Eminem.

Then he continued: “I went to the Olympics, got all the way to the end, and then lost to the last guy. The guy who won was Otherwize, from LA. It was a local thing. They had a bunch of crowd support there. When I rapped, he went and hid behind a video screen. He walked away while I was rapping. I didn’t have anyone to battle! I’d never been in a situation like that before. I went through a lot of people to get through to the end, and then he walked away while I was rapping. I’m like, “What the f–k do I do?” I was devastated.

“I come off stage. I’m like, that’s it. It’s over for me. This kid from Interscope, Dean Geistlinger, walks over and he asks me for a copy of the CD. So I kind of just chuck it at him. It was The Slim Shady EP. We come back to Detroit, I have no f–king home, no idea what I’m gonna do. Then, a couple weeks later, we get a call. Marky Bass said, “Yo, we got a call from a doctor!”” Eminem added.

More than four years after Rhythm + Flow debuted on Netflix, the hip-hop music competition series is back with a second season featuring new judges, DJ Khaled, Ludacris and Latto. The streamer also announced Eminem as a special guest who will join the battles round “from a surprise location.” Additional music industry guests for the show, in which a panel of judges aim at discovering the next generation’s rap star, will be revealed at a later date.

Ebro & Nadeska debate new Eminem album

In this week’s episode of Rap Life Review on Apple Music, media personalities Nadeska, Lowkey, and Ebro dive into the hottest new music from Big Sean, Joyner Lucas, and more. The crew also dive into the highly debated “Big 3” conversation sparked by Future and Metro Boomin’s latest album, titled “We Don’t Trust You”. This then leads the conversation to Kendrick Lamar and Drake’s perpetuated beef and what this means for rap going forward. At one point of the interview, the trio briefly talked about Eminem‘s upcoming album, which was revealed by Dr. Dre last week.

Ebro Darden: Dr. Dre announced that Eminem and Snoop Dogg are working on the albums. I’m always looking for an Eminem album. He cares about rapping. I like to hear him rap. Whether or not I liked the albums and the cohesiveness of the albums or if there’s songs in there, you know, at this stage of his career could be a hit or miss. But if Eminem was like ‘I’m only working with like Alchemist, Havoc, Pete Rock, Premier. If I got Eminem album like that, y’all would not be excited to see album coming?!

Nadeska: I would like somebody to challenge Eminem to just have a little more fun and be a little bit less clinical with the raps. That’s coming from someone who has been long time fan of him. I think he is excellent and but he’s always rapping like he still has a lot to prove. I think there is nothing left to prove. I would love to hear him, like you said, pair up with one producer, have a different sound and it does not have to be as mind-bending. I also just want to see him have fun. I think that would be great.

Ebro Darden: Maybe his mind-bending, lyrical, spherical, medicinals is where he has fun at?!

Last time Eminem dropped the full body of work was more than 4 years ago. Em dropped his 11th solo studio album Music to Be Murdered By on January 17, 2020, through Shady Records, Aftermath Entertainment, and Interscope Records. Just like Eminem’s previous studio album Kamikaze (2018), the album was released with no prior announcement. The album was produced by many producers, with Eminem and Dr. Dre serving as executive producers. It features guest appearances from Skylar Grey, Young M.A, Royce da 5’9″, White Gold, Ed Sheeran, the late Juice WRLD, Black Thought, Q-Tip, Denaun, Anderson .Paak, Don Toliver, Kxng Crooked and Joell Ortiz.

The album debuted at No. 1 on the Billboard 200, selling 279,000 album-equivalent units in its first week. Subsequently, Eminem became the first artist to have ten consecutive number-one albums in the US and one of six artists to have released at least ten US number-one albums. Music to Be Murdered By reached number one in 16 countries. Music critics praised Eminem’s lyrical abilities and the improved production after Kamikaze, while criticism was directed towards the album’s formulaic song structure, lack of innovation, and shock value.

Joyner Lucas names artists who are better than him

Couple of days ago, Joyner Lucas released his much anticipated album titled Not Now I’m Busy with features from Jelly Roll, Twista, NBA YoungBoy, Logic, Conway The Machine, the late legend DMX and more. To promote the album, the Worcester, Massachusetts-born rapper sat down with Sway In The Morning on Shade 45 where he talked about his new album, DMX influence, Big 3 convo and more. At one point of the interview, Joyner listed artists that he feels are better than him and there is no weakness to acknowledge it.

“I never really had a desire to be the king of anything. It’s just not my personality to be self-proclaimed to anything. I just kinda allow people place me where they wanna place me but that does not mean I’m not competitive. I just never really care to be like ‘I’M THE BEST, I’m THE KING. I’M THE BEST RAPPER IN THE WORLD.’ It’s all subjective.” said Joyner Lucas.

Then he continued: “A lot of people say you should want to be the best, you should say you are the best and nobody’s better than you. They think it’s weak to say somebody is better than you. I disagree with that. I don’t feel that at all. I feel like there are lots of artist that are better than me. Eminem is better than me. Drake is better than me. I don’t have a problem saying that. People might look at me as weak for saying that but that’s just how I feel.”

“I feel like certain artists are better than me. Do I feel like Drake is better storyteller record to me? F–k no! There’s no way. He can’t make “I’m Not Racist,” he can’t make “Ross Capicchioni,” he can’t make “Best For Me,” but he can make “God’s Plan,” I can’t make that s–t. He can make “Hotline Bling,” I can’t do that s–t. He can hop into all these different lanes and s–t and do all these “Controller.” He’s a hybrid for real. He can sing and s–t. I can’t sing. But I think he’s overall better than me. All these stats and all the things that he could do that I could not. Kendrick can get lyrically better than me. He get busy and I love that about Kendrick. So to answer your question, I don’t care about being the besI’m just a fan of other artists bro.” Joyner Lucas added.

Kurupt says Rakim & Eminem are equally greatest MCs

A long-standing soldier of the west coast rap movement, Kurupt has recently attended the ceremony of Dr. Dre getting a star on Hollywood Walk Of Fame. TMZ Hip-Hop got a few seconds to chop it up with the legendary rapper outside Dre’s WOF ceremony. When he was asked where Dr. Dre ranks in greatest producers of all time Kurupt picked Dre as rap’s greatest producer, while also giving Eminem his props as one of the greats, beside hip-hop icon, Rakim.

Dr. Dre is number one greatest producers of all time in hip-hop. Eminem is one of the greatest emcees. Where would I rank him? I don’t. There are too many greats. He’s up there with Rakim. No one ranks higher. No one ranks higher than R (Rakim) but Em (Eminem) is with the R. You know why? Cause they are equal.” said Kurupt.

Em likely wouldn’t argue about Kurupt’s statement. He calls Rakim one of the G.O.A.T.s as well, and credits the “Paid in Full” creator with being the first MC he heard using complex rhyme patterns which ultimately pushing Slim Shady to take things to another level.

Kurupt is also one of the main influences of Eminem. Em even listed him on “Till I Collapse” from The Eminem Show album when he spat the verse about the greatest rappers: “I got a list, here’s the order of my list that it’s in / It goes: Reggie, Jay-Z, 2Pac and Biggie / André from OutKast, Jada, Kurupt, Nas, and then me / But in this industry I’m the cause of a lot of envy./ So when I’m not put on this list, the s–t does not offend me.”

In a new interview with James Corden, Dr. Dre crowned Eminem as the best MC to ever touch the microphone. “I think he is the best emcee ever. Point blank, period. Of course there gonna be arguments about that because he’s white guy, you know. I don’t think anyone that is rapping can touch Eminem on microphone.” said Dre.

[VIA]

Esham says he’s only rapper who ever defeated Eminem, claims he never seen “8 Mile” movie

Detroit hip-hop pioneer Esham has recently sat down with Kid L where he discussed his timeline from before rap, during rap, his first album, his encounters with D12 and Eminem, and his closure of the situation with Detroit legend Big Proof. They also discussed his concern for culture protection for the city of Detroit.

Esham lying about 8 Mile
Proof from D12 used to go to my high school. I’m the person that made him want to be a rapper. I had rap records out when I was in high school. I was that person who did all of that. And me, I would help everybody, that’s just how I was raised. There is no outlets for musicians in Detroit. There is no Universal Records downtown, there is no Interscope record downtown so that frustration, that’s what got people out here just mad because they’ll do anything to get that record deal. I’ve seen so many people in the movie 8 Mile, none of them could get a record deal after that. Not one of them. Even being in that huge movie. It was a fantasy or something? I never seen 8 Mile movie. I live on 8 Mile, I know what real 8 Mile look like. It’s a rap movie about a rapper that be punching motherf–kers in the face of the city of Detroit. That s–t never happened. I got a question for Em. Why Proof could not play Proof in 8 Mile?

Esham lying about Eminem restricting Swifty McVay, Bizarre and Kuniva from mentioning D12 by using the N word
Did I have opportunity to sign to Shady Records? No. Why would I want to be a part of that. I don’t have nothing against them but they don’t actually put records out. I mean, whose records did they put out? Is it a real record company? Last time I checked Em said don’t say D12 in any records no more. He was like ‘y’all motherf–kers don’t say don’t say D12. It’s heavy on the ER when he said n-gger to him too. Did he call them n–gers or something? He was like ‘f–k you n-ggers.’

Esham lying about Proof and getting beaten up by D12 members
Bizarre said that they jumped me back in the days. First of all, Bizarre was over there getting some hot dogs from hot dog stands. He was not even there. Rufus needs to stop lying. But in all fairness, that was about the City of Detroit, that was not about no raps I made. We come from era of rap where you gon’ say my name then b–ch I’m coming. And I’m the only person that lyrically defeated Eminem. Hands down, flawless victory. He didn’t even respond. It was like me beating up on a baby. I don’t have nothing against these guys. You have to ask them why would y’all be talking about this man and he from the city. I just feel like it was an attack on my character. People who physically assaulted me…I’m from Detroit man, we really don’t be talking about that type s–t. It was 30 of them n-ggas but I’m still here. We were fighting Proof and them. Proof was the one we were fighting but Proof ain’t here anymore. And I squashed all that with Proof. I’m the reason that beef got squashed. Proof called me right before he died. He made up with me. He told me bunch of stuff about his label and all the discrepancies that he had and all the stuff that was going on over there and what Paul Rosenberg and all of them were doing over there to him and how they played him and stuff like that. I know what he said and I know what he went through. But we were man enough to squash that s–t.

Esham justifying himself form mentioning Eminem’s daughter Hailie in a diss record
Yeah, I said something about Eminem’s daughter. So what? That n-gga can say anything he wants about somebody. When you say my name, it’s on! This is f–king rap n-gga. You said something about Christopher Reeve when he was paralyzed? What about his family? You said something about Michael Jackson, that’s my motherf–king boy, now what?! Ain’t no motherf–kin’ ‘you said something’. If he still butur about that, f–king good! Good b-tch! I’ll say it again! F–k him.”

Eminem and Esham had a beef in the early 2000s. Esham released a disstrack on Eminem called “Chemical Imbalance” where he also dissed Eminem’s little daughter, Hailie. D12 members beat up Esham because of that song. Esham suffered a broken nose, ruptured eyeball, mild concussion and a loss of hearing in his left ear…You can watch the new interview below:

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