Quest Mcody talks Proof’s influence on Detroit rap scene, weighs in on Eminem VS Benzino beef

Detroit hip-hop artist and battle rapper Quest Mcody has recently sat down with P to Da 3rd Letter on Rap Grid where the two talked about Eminem and Benzino’s reignited beef, why Eminem slander is still cool thing to do and how Big Proof influenced the entire Detroit rap scene.

“Everybody know where it stem from. Benzino has been poking. He say stuff about Eminem in the interviews all the time, in a lot of interviews. Em don’t do a lot of interviews. He rap. So sometimes when he rap he say something and he felt like saying something this time and the rest is the rest. It pushed Benzino.” said Quest Mcody.

Then he continued: “I like Eminem as a rapper. I think Eminem is a good rapper so if we just talk about raps, Benzino is just not that good of a rapper. It’s not a rap beef. I think the raps were dope but Benzino is not a good rapper, we know that and he knows that. He said it himself, he got help to put it together. So, I just think it’s silly to compare he two. I’m not about to break down and compare a ghostwritten diss-track to somebody that was making fun of you with their own raps. It’s okay to have ghostwritten work. It’s something that has been around the raps but I don’t consider people that rap on Rapper’s Delight when I talk about people like Jay-Z or Eminem or Nas and that’s just how I go.”

“I don’t think Eminem is held in such a high regard in only Detroit cause if it was just Detroit, he wouldn’t be Eminem. Every year he’s top 10 streamed artist without putting out what would some consider a classic album in many many years. He got core fanbase, he got a fanbase. He said it on records why some of that is but also is to be recognized by everybody. Like Drake can’t be Drake without crossover fans. Hip-hop can’t survive if it’s just us because we are minority. So, if you are selling million of records in America, based on the numbers alone, you gotta be able to sell records to people that are outside of your demographic and if somebody comes along and they heighten the awareness of that demographic to the whole of hip-hop, that’s a benefit for hip-hop. Because now we got more fans.”

“The reason some people are still slandering Eminem is because it’s cool thing to do to discredit. It’s cool to have these outlandish takes. It’s very very common right now to ignore certain things because you don’t like something. I can’t say somebody’s whack because I don’t like it or because it ain’t my cup of tea. Like, there is no way you can tell me that Drake is not good based on the response ‘nah I might not like it’ but it’s hard for me to say like ‘yo, this is not good’ or he is not talented. Maybe I don’t think it’s good but I can’t think he’s not talented because you’ve shown this in different ways. I gotta be able to recognize the appeal outside my own. So, I just think it’s cool to just talk s–t.” Quest Mcody added.

Then he continued talking about the importance of Big Proof for Detroit and told few unheard stories about him: “Proof means a lot. Proof was somebody that invested in the community and got love from us. He was pivotal in everybody’s lives. It didn’t matter how frequent he was in your life, if you met P, he made an impact. There’s a lot of stuff people don’t know about Proof. He was the first person to have Unsigned Hype article, not Em. Proof won The Source’s Unsigned Hype rap battle. he beat Supernatural. Proof was known across the country for being phenomenal battle rapper even more so in some spaces than Eminem. A lot of our first experiences with industry came through Proof. Proof put my only solo song on the label project that he put out and I wasn’t on the label. We never did music but we had a lot of conversations. The first battle I won money being there Proof just left doing the show with 50 Cent that night and came and hosted the battle that I won $100 and he gave it to me out of his pocket. Backpack hip-hop, battle rap world, the street music that you hear, he was the bridge to that. It was always love. He gave a piece of family and belonging to a lot of people. He had a record label with a lot of dope artists from the battle rap scene in Detroit. He gave us the opportunity to get our fanbase.”

You can watch the entire thing and make sure to check out some Quest Mcody music below.

D12 announce Canada, Australia & New Zealand tour dates

After touring in Europe, D12 (Swifty McVay and Kuniva) are back on the road with Detroit’s own Obie Trice and Xzibit to celebrate the 20th anniversary of three iconic albums — D12’s D12 World, Xzibit’s Man vs. Machine and Obie Trice’s blockbuster Shady Records album Cheers. The legendary Detroit MCs will take stages in Canada, Australia and New Zealand for The 3: Twenty Anniversary Tour.

Dates for Canada tour (43 dates in total):
March 6: Barrie, Ontario
March 7: Sudbury, Ontario
March 8: London, Ontario
March 9: Waterloo, Ontario
March 10: Peterborough, Ontario
March 12: Toronto, Ontario
March 13: Oshawa, Ontario
March 14: Ottawa, Ontario
March 15: Longueuil, Quebec
March 18: Halifax, Nova Scotia
March 19: Moncton, New Brunswick
March 27: Vancouver, British Colombia
March 28: Nanaimo, British Colombia
March 29: Victoria, British Colombia
March 30: Kelowna, British Colombia
March 31: Kamloops, British Colombia
April 1: Vernon, British Colombia
April 3: Edmonton, Alberta
April 4: Calgary, Alberta
April 5: Lloydminster, Alberta
April 6: Brandon, Manitoba
April 7: Winnipeg, Manitoba
April 8: Winnipeg, Manitoba
April 17: Chilliwack, British Colombia
April 18: Burnaby, British Colombia
April 19: Nanaimo, British Colombia
April 20: Port Alberni, British Colombia
April 21: Victoria, British Colombia
April 23: Nelson, British Colombia
April 25: Banff, Alberta
April 26: Lethbridge, Alberta
April 27: Medicine Hat, Alberta
April 28: Red Deer, Alberta
May 9: Thorold, Ontario
May 10: Montreal, Quebec
May 11: Quebec City, Quebec
May 12: Kingston, Ontario
May 13: Hamilton, Ontario
May 14: Saint Catherine’s, Ontario
May 16: Windsor, Ontario
May 17: North Bay, Ontario
May 18: Sault Ste. Marie, Ontario
May 19: Guelph, Ontario

Dates for Australia tour (3 dates):
June 21: Eatons Hill Hotel, Brisbane
June 23: Forum, Melbourne
June 25: Enmore Theatre, Sydney

Dates for New Zealand tour (2 dates):
June 28: Wolfbrook Arena, Christchurch
June 29: Trustarena, Auckland

Tickets for Canada tour.
Tickets for Australian tour.
Tickets for New Zealand tour.

NOTE: Xzibit is not included in Canadian tour dates.

While you wait for D12 to come to your city, check the highlights from European tour (United Kingdom, Netherlands below:

Denaun Porter shares his thoughts on Eminem dissing Benzino

Denaun Porter has just shared his thoughts on Eminem dissing Benzino on “Doomsday Pt. 2” from Cole Bennett and Lyrical Lemonade album, All Is Yellow.

Shadyverse fan account shared a video of Benzino saying: “Nothing y’all can tell me. I’m cooking your Rap God. The guy that you have been obsessed with, especially the black Stans… ughhhh. You are the f–king worst. The blacks Stans, oh my god.

Under the post, Denaun Porter commented “Ghost” and “Writing Hand” emojis, meaning that Benzino used a ghostwriter for a diss-track. Someone in the comments replied: “Em instigated this war again and not gonna reply to Benzino disses. That’s kinda weak if he don’t.” On that, Mr. Porter replied: “Nope, nobody was paying attention to dude. He’s been taking shots the whole time but no body cared or was even thinking about dude so Em actually didn’t instigate it, but he shouldn’t have paid it no attention, now people are paying attention. That’s all.

Yo can check the video below:

New Song: Read The PDF – “The Time”

Super producers Mr. Porter, Focus… and Dem Jointz have come together to form a brand new supergroup by the name of “Read The PDF.” The group’s name may sound odd, but it is made up of their initials and is descriptive of their informative music. Music with substance like Brooklyn-based duo Run The Jewels.

Last summer, the group released their first single called “By”, along with a music video on YouTube. We have reviewed the track, which you can check out on this link.

Read The PDF are now back with the brand new single “The Time,” from their upcoming project, titled “BY THE TIME YOU LOOK UP N.C. WHAT WE DOIN'”, and the graphical music video came with it.

“The Time’ is more than a song, it’s a journey. Join us on YouTube to watch the full video and don’t forget to subscribe!” Denaun Porter announced on Instagram yesterday.

In the song, Mr. Porter references Eminem and Paul Rosenberg while addressing music industry executive and entrepreneur, Lyor Cohen: “Get Lyor on the phone, maybe we shout sit with him / f–k it, I’ll call Rosenberg, he know how to get us Em’s (Ms).

You can bump the new track below and make sure to stay tuned for our review of the song!

New Song: Lazarus & Mr. Porter – “Scalpel”

Detroit rapper Lazarus drops new single titled “Scalpel,” produced by Detroit’s own super-producer Denaun Porter. The song showcases the art of lyricism bring it to new heights as Lazarus delivers multi-syllable rhymes and flow schemes with the sharpness of a surgical scalpel.

I recently had the opportunity to listen to an advanced copy of the latest single by Lazarus. I must say, I was really excited to see him collaborating with Mr. Porter Of D12 this time. This isn’t a duo I thought I’d ever see, but I’m always happy when different players in the game link up. You never know what might result in accidental magic.

There’s definitely no shortage of clever bars and tricky flows. Front to back the track aiming directly at barheads. Still, after countless listens, I’d be lying if I said I didn’t struggle to understand what this track’s actually about. There’s many obvious attempts to tie things together by working in a lot of lyrics that reference scalpels in some way. Some of it is actually really clever, but a lot of it feels just a little forced.  If you zoom out and look at the entire track, it comes off pretty unfocused lyrically. One minute, we’re referencing every trendy news story, next Lazarus just goes off on some vaguely braggy bars about himself.  On paper, the track is very impressive if we’re just talking about wordplay and how sharp his pen is. When you line-up the track against everything else already available in hip-hop though, it’s really tough to find a reason to choose this first.

The lyricism is 100% here, there’s no denying that. Unfortunately there’s some trade-offs. One of them would be a be a lack of a strong hook. Instead of capturing the main vibe, the chorus feels more like a commercial break that I wish had a skip button for. Lazarus just repeats the same 5, non rhyming words a few times over as we wait for next verse. The hook is just flat-out boring and forgettable. It’s especially weird coming from me, because I usually don’t care about hooks as long as the verses “wow” me for whatever reason. Heck, some of my all time favorite tracks don’t even have hooks. I’ll use this analogy: If a tooth is causing you pain, either fix the tooth or remove it. Give me a 3 minute track with back to back verses if you can’t give me a compelling hook.

Like the song title suggests, this is a sharp track designed for a specific task. “Scalpel” doesn’t present itself as a versatile cut designed to be the massive hit that captures every type of listener. At the end of the day, it’s a track I wouldn’t mind throwing into a larger playlist and hearing it it comes up once in a while. Otherwise, I’m likely not going to remember this track or find myself going out of my way to look for it in the future.

Written By : CeaTee Reviews
Instagram @CeaTee_Reviews
Threads @CeaTee_Reviews 

You can watch the new music video below:

Kuniva and Swift McVay of D12 to launch “A Free Songwriting Class” in 2024

D12’s very own Kuniva and Swifty McVay are planning very interesting project for aspiring emcees which will give them opportunity to break into the big stages.

In 2024, the two Detroit legends will be offering a free songwriting class for aspiring songwriters, rappers, and MCs. They will provide the beat and the young rapper will be given a chance to prove and improve their writing skills. The class will teach them how to format and write a song, and everyone will create a song from the beat. If you create the best song, you will win the song and a feature from Kuniva and Swifty McVay on it.

The class is only open to individuals who are 18 years and above (unless they are able to obtain parental consent).  To be selected for the classes, you need to submit a snippet of your current work as a musician and explain why you feel that you should be chosen. You can send the files at allthingsd12@gmail.com. D12 members will select five people and set up the classes via Zoom.

Aside from the “A Free Songwriting Class” project, Swifty McVay have recently announced the UK tour, celevrating 20 years of D12 World album, which will start on December 6th at the O2 Ritz in Manchester. Check out the dates below and grab your tickets here.

  • DECEMBER 6 – Manchester, O2 Ritz
  • DECEMBER 7 – Birmingham, XOYO
  • DECEMBER 8 – London, Electric Ballroom
  • DECEMBER 9 – Bristol, SWX
  • DECEMBER 11 – Cardiff, Tramshed
  • DECEMBER 12 – Southampton, Engine Rooms

D12’s Swifty McVay releases music video for “Coming To Get You”

D12’s Swifty McVay has just dropped the visuals for “Coming To Get You,” single, produced by 80 Empire, from his 2022 album, Detroit Life 2.

The music video of “Coming To Get You” is directed by Black Ace Media and features cameo from DeeJay King.

“My Bro @thereal_dj_king & I Set The Stage On fire Tonight. “DENVER” Thanks To All Who Showed Up & Showed Out and Big S/O To My Fam @teamface1 & @courtneybenjaminmusic For Holding It Down Like Smurfs Wit Ankle Weights.” wrote Swifty on his Instagram post.

“Mannnn.. they done f–ked around and let me be in the video to one of my favorite songs from @mcvayd12 !!” DeeJay King responded.

You can watch the new music video below and make sure to grab Detroit Life 2 on any digital platforms.

D12 announce UK tour “20 Year Anniversary”

To commemorate the 20th anniversary of their second and final studio album, “D12 World,” D12 (Swifty McVay and Kuniva) have scheduled a UK tour.

The Detroit hip-hop collective will travel across the Atlantic Ocean beginning in December and perform at the O2 Ritz in Manchester on December 6. D12 will then stop at Birmingham, London, Bristol, and Cardiff after that. The tour’s last performance will be on December 12 in Southampton.

General ticket sales start on Friday, September 22 at 10 a.m. local time. For tickets and additional details, click here.

D12 20th anniversary UK tour dates are:

  • DECEMBER 6 – Manchester, O2 Ritz
  • DECEMBER 7 – Birmingham, XOYO
  • DECEMBER 8 – London, Electric Ballroom
  • DECEMBER 9 – Bristol, SWX
  • DECEMBER 11 – Cardiff, Tramshed
  • DECEMBER 12 – Southampton, Engine Rooms

2004’s ‘D12 World’, which turns 20 next year,  scored the No. 1 spot on the US Billboard 200 chart with 544,000 copies being sold in the United States in its first week.

The album’s first single ‘My Band’ reached the top spot in Australia and on the US Rhythmic Top 40, the Top 5 in the UK and Germany, and Top 10 on the Billboard Hot 100, making it one of the group’s most successful songs to date. ‘My Band’ is certified platinum in Australia, New Zealand and United Kingdom, and gold in Germany, Norway and United States.

The second single ‘How Come’ was also successful, hitting Top 10 in Australia, Denmark, Ireland, Netherlands, New Zealand, Norway and United Kingdom. It peaked at No. 27 on US Billboard Hot 100 chart. The song is certified gold in the United States.

Check the official tour announcement below:

New Song: Read The PDF – “By”

Mr. Porter, Focus… and Dem Jointz have come together to form a brand new supergroup by the name of “Read The PDF.” The group’s name may sound odd, but it is made up of their initials and is descriptive of their informative music. Music with substance like Run The Jewels.

The group recently released their first single called “By” earlier this week on June 26th , along with a music video on YouTube. 

The track opens up with an angelic vocal sample accompanied by a fittingly church choir-esque production. There’s even some subtle grand piano keys being mixed into the instrumental, but not as to bury the lead. Dem Jointz steps up first with a gritty intro and a verse. Heavy drums and hi-hats arrive moments later to help introduce Dem as well as remind the listener that they’re listening to a hip-hop track. His verse is designed to throw some shade towards posers who fake their way into fame. The verse also directs the same message to women who’ve been unfaithful to him through various situations and relationships. To put it simply, Dem is saying “Don’t talk the talk if you can’t walk the walk.”

After Dem’s verse, we take a little break via an interlude sung by Focus…. We dip back into that similar gospel sound we heard, just for a moment. We go straight back to laid back, bass-clap, boom-bap when Focus… brings out the bars. With 3 producers on the track, it’s not surprising how often the beat switches during and between verses. Focus…’s verse stays tight to the theme set by Dem’s verse. Focus… talks about the strong relationships he’s built with his closest friends. I get the impression that he’s been burned many times before, but he’s always able to brush it off as long as he maintains a small, trusted circle. The secondary message in his verse is about staying true to yourself. “I ain’t gotta hide the ME on me/ fortified cuz’ I ain’t ready to D-I-E… I do not benchwarm/ I am not J.V./ we will not stand by/ we the MVPs”

Once again, the beat switches as Denaun Porter opens up his own verse with harmonic intro. For some reason, the first bar is sung in reverse, then repeated the correct way 4 times. “T’nac tsuj I ,t’nac tsuj I ,t’nac tsuj I”.  Porter jumps in headfirst as the beat switches to a powerfully electrical buzzing instrumental. These are the sounds you’d hear if Thor, The God Of Thunder,  needed a beat for a diss track. I love Denaun’s super confident flow that snaps every time the beat pauses. The production fits the vocals like a glove the way the bars seemingly control the music. Making sure to stay cohesive with the rest of the track, Denaun pays tribute to a few trusted allies as well. “My big brother Em, my little brother Royce / Product of the Doc s–t, I ain’t got a choice”

I love the way he calls out other, lesser producers for sounding the same and still wind up stealing from each other. He even claims he has to rap on beats he created himself so artists he produces for know how to rap on them. Denaun sounds frustrated, but through a smile, so as not to sound too cynical. There’s some obvious exaggerations here, but I think he’s coming mostly from a place of truth. Man, it’s just so nice to hear Porter in this semi-serious, cheeky mood. It almost brings me back to the days of D12 when they’d bring their A-Game to the booth and still have fun doing it.

Overall, this is a really cool track. With the constantly changing but consistent sound, it’s anything but boring. Every artist tells their perspective on the main theme of the track well maintaining cohesiveness front to back. It comes off as a very braggadocious lead single for the group without sounding cocky or unlikable. In a rap game that’s arguably dying from lack of creativity, Read The PDF has formed a sonically pleasing supergroup to put a dent in quenching that craving.

Written By CeaTee Reviews 

Instagram: CeaTee_Reviews 

 

Billboard ranks G-Unit at No. 19 on “50 Greatest Rap Groups of All Time,” snubs D12

Billboard magazine has released the final top 10 in their ranking of the 50 Greatest Rap Groups of All Time.

The magazine reports: In determining these rankings, the Billboard editorial team again took the following criteria into account, not in any specific order: body of work/achievements (charted singles/albums, gold/platinum certifications, other awards), cultural impact/influence (how the group’s work fostered the genre’s evolution), longevity (years at the mic), lyrics (storytelling skills) and flow (vocal prowess). Our definition of groups includes duos, proper groups and more nebulous collectives. Most notably, Inclusion on this list is based on the accomplishments of the group as a unit — not what the individuals may have separately accomplished. We tried to walk the line between what constitutes a group versus a collective or a crew, though at times that was not entirely clear.

50 Cent’s G-Unit was ranked at No. 19 but the list does not include Griselda, Slaughterhouse, D12 or Bad Meets Evil. You can check the entire list below:

1) OutKast
2) Wu-Tang Clan
3) N.W.A.
4) A Tribe Called Quest
5) Run-D.M.C.
6) Public Enemy
7) Eric B. & Rakim
8) Salt-N-Pepa
9) De La Soul
10) The Roots

11) Migos
12) Grandmaster Flash & the Furious Five
13) Mobb Deep
14) Fugees
15) Naughty By Nature
16) Beastie Boys
17) Cypress Hill
18) Three 6 Mafia
19) G-Unit
20) UGK

21) Bone Thugs-N-Harmony
22) The LOX
23) Sugarhill Gang
24) The Diplomats
25) Hot Boys
26) EPMD
27) DJ Jazzy Jeff & the Fresh Prince
28) Geto Boys
29) Gang Starr
30) Clipse

31) Boogie Down Productions
32) 2 Live Crew
33) Goodie Mob
34) Brand Nubian
35) Pharcyde
36) Heiroglyphics
37) 8Ball & MJG
38) Big Tymers
39) Slum Village
40) Onyx

41) Little Brother
42) Heavy D & The Boys
43) Kid N Play
44) Kriss Kross
45) Pete Rock & CL Smooth
46) Yin Yang Twins
47) Rae Sremmurd
48) City Girls
49) Black Star
50) MOP

[VIA]

Nasaan pens heartfelt letter to his father Proof

17 years have passed since Big Proof passed away. On April 11, 2006, Proof was shot three times by Mario Etheridge, once in the head and twice in the chest, after a dispute broke out during a game of billiards at the CCC Club on 8 Mile Road in Detroit.

A pool game between Proof and Keith Bender turned into a heated argument and then escalated into a physical altercation. Etheridge, who was Bender’s cousin, fired a warning shot into the air. There have been many conflicting reports about Proof and Keith Bender’s roles in the shooting, but it was reported that Proof then shot Bender in the head during the altercation.

Bender was not immediately killed by the gunshot but died a week later from his injuries. In response to Proof shooting Bender, Etheridge then shot Proof three times, once in the head and twice in the chest, killing him at the scene.

On April 19, 2006, a service for Proof was held in the Fellowship Chapel in Detroit to a full house of 2,660 people, including life-long friends Eminem, Royce Da 5’9″, 50 Cent, and thousands more mourning outside.

To honor the life of Detroit’s Mayor, his son Nasaan dedicated a heartful letter to his father on Instagram. “Felt like I needed you more than ever in my life this last year. I’m doing a lot of this s–t on my own and getting it done no matter what, which I know you would be so happy about. Thank you, I love you. I’mma continue to make you proud. THE BIGGEST. RIP LEGEND.” he wrote.

Royce 5’9″, Bizarre of D12 and Lazarus have all sent heart emojis in the comments section. You can check the post below:

New Song: Fury – “Rage Quit” ft. D12

The brand new effort ‘Rage Quit’ (Released via Leathal Wreckords) from long time East-Coast Wicked Underground emcee who goes by the name of Fury is here and new D12 feature comes with it.

The 12-track LP includes guest appearances from D12, King Gordy, Riff Raff and Shaggy 2 Dope among others. Our boys Kuniva, Swifty McVay and Bizarre are featured on the title track “Rage Quit.”

It’s very rare to see three members of D12 on a track together these days so you better check the new track below!

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