Papoose Talks Name-Dropping Eminem in 50 Cent Diss Song

In a recent sit-down with DJ Vlad, Papoose addressed the bars from his recent diss track where he name-dropped Eminem to highlight what he perceives as 50 Cent’s hypocrisy. The line in question—”Disrespect your homies, why you cut all of your partners’ throats? You ain’t diss Eminem, he your slave master”—has sparked intense debate across social media regarding the power dynamics within the Shady/Aftermath lineage.

During the interview, Papoose explained that his choice of words was a strategic strike against 50 Cent’s history of burning bridges with those closest to him. “In my diss track, I pointed out how he disrespected all his friends. I went down the line,” Papoose said. “Everybody who he was friends with, he went at. But out of all his friends the only one he never disrespected is Eminem.” For Papoose, this singular exception isn’t a sign of genuine friendship, but rather a submission to the man who holds the keys to 50’s early success.

To bolster his point, the “Alphabetical Slaughter” rapper cataloged the high-profile fallouts that have defined 50 Cent’s career. “Young Buck is signed to him, ends up beefing with him. The Game is signed with him, ends up beefing with Game,” he noted, adding that even those who were instrumental in the rise of G-Unit have been cast aside. “Lloyd Banks, n-gga who helped him get where he at and does not even get credit for it. I can keep going. He does television shows with people, ends up disrespecting them. One person he never disrespected is Eminem.”

The tension between the two New York heavyweights escalated earlier this year following a series of online provocations. The feud reportedly intensified after 50 Cent posted a controversial meme involving Papoose’s wife, world champion boxer Claressa Shields. Papoose responded in kind, releasing scathing tracks like “Agent Provocateur” and “Food For Thought.” In these records, Papoose accuses the Power producer of being a “crab in a barrel” who exclusively targets Black and Latino figures while maintaining a “subservient” relationship with his white collaborators.

Papoose also challenged the notion that 50 Cent’s loyalty to Eminem is rooted in gratitude for his career-launching opportunities. He questioned the logic of “respect” being tied to financial or professional gain. “Eminem did most for him than anyone in his life? That’s what it’s about? It’s about who do the most for you? That’s how you determine your respect?” Papoose asked rhetorically. “I don’t judge respect on what you do for me. I’m not one of those type of people.”

As of now, 50 Cent—who is rarely one to stay silent—has offered a mix of rare apologies regarding Claressa Shields while simultaneously continuing his trademark trolling of Papoose. However, the “slave master” bar remains the most polarizing element of the beef. While some fans argue that 50’s loyalty to Eminem is simply a matter of “unbreakable brotherhood,” Papoose remains firm in his stance: that 50 Cent’s “bully” persona conveniently disappears only when facing the man who signed him.

While Papoose is a master of wordplay, his “slave master” argument feels fundamentally flawed and leans into a reductive narrative. By framing 50 Cent’s loyalty to Eminem as a sign of weakness or “servitude,” he ignores the basic tenets of professional and personal integrity. In any industry—especially one as cutthroat as hip-hop—staying loyal to the person who stood by you during your lowest point isn’t “slavery”; it’s a rare display of character. The comparison becomes even more strained when one considers that 50 Cent’s fallouts with The Game or Young Buck often stemmed from complex business disputes and public betrayals, whereas Eminem has never given 50 a reason to pivot.

Furthermore, Papoose’s rhetoric risks falling into a “damned if you do, damned if you don’t” trap for 50 Cent. If 50 beefed with Eminem, critics would call him ungrateful and disloyal; because he remains a friend, Papoose labels him subservient. It seems Papoose is attempting to weaponize 50’s most positive relationship against him, suggesting that a lack of conflict is somehow a lack of autonomy. Ultimately, characterizing one of the most successful Black moguls in entertainment history as “enslaved” to a collaborator—simply because they haven’t fought—is a reach that prioritizes shock value over a nuanced understanding of mutual respect.

50 Cent Eminem Papoose